Sunday, October 11, 2020

The Ghost Army of World War II

The Ghost Army of World War II sheds light on one of the lesser known divisions - and episodes - of World War II. The 23rd Headquarters Special Troops, or "Ghost Army" used every form of deception against the German army as Patton and company fought their way from the hedgerows of Normandy and on across the Rhine. The Ghost Army - at 1,100 strong - was often charged with convincing the enemy that anywhere north of 30,000 men were amassing to launch one or another audacious attacks. They did this through the use of multimedia deceptions, using visual, sonic, and radio illusions, the most amusing of which I found to be the inflatable tanks. 

Their work was so secret that other American troops were not privy to it - as evidenced by the quote from one private: "All of a sudden I see four guys, one on each end of a General Sherman tank, picking the thing up. And I practically collapsed, because I thought, 'Gee, I could never pick up a tank.' "  (A couple of unsuspecting Frenchmen were equally perplexed. A farmer had to be restrained from sharing what he witnessed when looking to round up his herd and instead saw his cows pushing an American tank around. Another time, a breach of the security perimeter led to two cyclists being told "The Americans are very strong.")

Generally, The Ghost Army of World War II is a snappy little book, the writing light, the anecdotes frequent, the humor outweighing the grimness of war. The story about measuring signs was my favorite; I'll not spoil it other than to say: the more things change, the more they stay the same. Authors Rick Beyer and Elizabeth Sayles also do a remarkable job of incorporating art and photography into the story they tell. This emphasis is fitting, as many of the men in the 23rd were artists - their numbers included the likes of Bill Blass, Arthur Singer, Art Kane, and Jack Masey - and by incorporating their photographs and their artwork, works made during the war itself....well, a picture is worth a thousand words.

While plenty has been written about espionage in war, from Operation Columba to Operation Mincemeat, The Irregulars to Liar, Temptress, Soldier, Spy, this is the first work I've encountered devoted entirely to the art of wartime deception. (Perhaps that's not surprising: you can spend a day at the International Spy Museum, and while the museum may boast the occasional exhibit that falls under deception, it's all much more James Bond than David Copperfield.) More disappointing, the National World War II museum lacks a permanent exhibit on the Ghost Army; when I checked their website to see how I had possibly missed it, I was instead met with an announcement that, in fact, there's a special, temporary exhibit on the Ghost Army from March 2020 to January 2021. Thanks to covid, I'll have to give it a pass.
 
The Ghost Army isn't a must read in any traditional sense. It's not the story of major battles, overall strategy, soaring rhetoric, or historical antecedents. That is, it's easily overlooked for those who are interested in the war in the broadest sense. Like Last Stand of the Tin Can Sailors, though, it's one of those books focusing on a smaller episode that collectively lends richness to the our understanding of World War II. That it does so with humor, rather than a body count, is the cherry on top.

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